Thursday, November 10, 2016

RPM: Object Grimoires

Who says an RPM Grimoire has to be a book? an item that gives a bonus to a spell being cast is an item that gives a bonus to a spell being cast, but that a book or a banner. Books are a classic way to store magical power, but magical artifacts come in all shapes and sizes. The wheel of time features crystal swords, statues, and bowls. Harry Dresden is always using his bracelet or blasting rod to cast specific effects. And many magic items strengthen specific spells but still require a caster behind them.

How to Use Object Grimoires

Grimoires come with instructions on how to use. Actually, thematically speaking, they are instructions on how to use. Which means that an object grimoire is going to be harder to use... at least until you know what its for and how to use it. Sure this bowl is enchanted... but does it control the winds, the waves, merely predict the weather, aid a comprehensive weather control spell, or aid something completely different like summon a delicious clam chowder?

Figuring out what a grimoire object does should be as interesting as translating a dead-language or encrypted grimoire. Hidden Lore and Research have a bigger role to play in doing so. In fact, most of the time, a Hidden Lore or Research role should be followed up by a Thaumatology roll. As a general rule, the Hidden Lore roll should be penalized, but be at +2 or more when compared with a plain research roll. Higher bonuses tend to be easier to find out about (research and hidden lore) but make the Thaumatology roll harder: a +1 amulet of inflicting diarrhea is hardly worth recording in the ancient books of lore, but isn't that hard to figure out, while a +8 change to frog statue is likely to be easy to find out about but hard to figure out the exact magical use.

Of course, these are all just suggestions. When purchasing such an item its likely the dealer will know exactly how to use it, or at least be able to point you in the right direction. This will probably effect the price of the item though!

Form and Decoration

If you're not going to get creative with the form of the item, there is little point in not leaving it as an arcane volume. Object grimoires usually are decorated with hints to their purpose and the form is part of the magic. Common forms include  jewelry, decorated sticks (staffs, wands), statues,  masks, bowls and tools.  Its also common for such items to be made out of an expected material: a metal broom or a glass sword.

Pay attention to size. While the range of weights given in the RPM book are fine, some grimoire objects can be much bigger or smaller. Of particular interest is great big ones: you may be able to get a 7 foot iron statue grimoire for a great deal, but anytime you want to use it, you have to be at the statue.

Buying Object Grimoires

These grimoires shouldn't cost the same as the standard "I-have-all-the-instructions" book. If the exact function isn't known, that's probably a discount (20%? 40%?). Great big ones will reduce the cost as well, and some GM's may say that the form is more conducive to that kind of magic, giving a bonus.

Of course, much of the time an object grimoire will be found when you're searching for a book. One way to use this is as ways to mix up the results of a grimore search. You can choose between the book in akkadian or the silver monkey necklace that puts an awkward 4 lbs hanging from your neck

Using Object Grimoires

This is meant to help you mix up your grimoires, NOT to replace magic items in a campaign. These items still require a mage to use them, and the more powerful the caster, the more powerful the results. They are meant to shake up buying book after book, and to let some of that bizarre crap decorating the witch's shop actually be useful.

They're also very useful for magical traditions where writing isn't central. I actually came up with the idea when trying to work out a TL 3 society using RPM and relying heavily on grimoires. I hope you find this idea useful.

Thursday, November 3, 2016

RPM: Path of Machines

I was thinking about RPM in a TL11 setting, and I thought to myself: the path of matter is sure powerful there. It covers nanobots, computers, vehicle transmissions, robotic arms and many other things. Then I asked myself what I would say if one of my players tried to use control matter to hack into computer and get passwords out of it. Or transform matter to change what nanobots did. And what is the proper way to 'awaken' a computer? My solution is the path of machines.

The path of Machines is all about complexity. The old definition of a machine may include levers, but the path of machines needs more complexity than that. The path of machines thrives best on computers, engines, speaker systems. One interesting effect of the path of machines is that by default, it works on computer data but not on the written word -- which means written secrets are safer.

Machines that are characters in and of themselves (like an AI) resist spells normally. An active caretaker can resist many effects with the appropriate repair or use skill. Signature gear always gets a save. But for the most part, machines don't get resistance rolls.

The effects

Sense Machine: lesser sense machine can detect machines, identify a machine,  or diagnose a technical problem. Greater sense machine  can reveal a machine's purpose or get a password from a computer.
Strengthen Machine: Most commonly, this is used to increase the power of a machine, whether it be strengthening a car to get up a hill, increasing the CPU speed on a processor, making a speaker louder, or causing nanobots to act like there are twice as many of them. The difference between greater and lesser strengthen machine is one of magnitude.
Restore Machine: can perform complex repairs. Lesser effects require some nods to physically fixing the object and require all the parts and information to be present in some form. Greater effects can repair objects that are missing parts or have had the information on them completely destroyed, and do so instantly.
Control Machine: Lesser Control Machine makes the machine do something it could do with the right inputs. It can hijack the output of computers, speakers, and other media, (the resulting output has to come from somewhere though!), steer cars, and open locks. Greater Control Machine can allow a machine to move or act in ways it normally wouldn't be able to. Examples include a car walking on its wheels and a computer delivering an electric shock. Control Machine also works as Control Mind vs. AI's.
Destroy Machine: Lesser Destroy machine breaks machines in subtle and believable ways, causing fuel lines to come loose, random computer crashes, and other normal wear and tear (if faster and much more convenient). Greater Destroy machine can erase information from a computer so thoroughly it can't be gotten back or cause mechanical errors that require taking the machine completely apart before putting it back together.
Create Machine: Lesser create machine can grant a bonus to assembling or inventing a machine, or copy a machine's effects that the caster has all the information for. For example, lesser create machine could be combined with sense machine to open a lock. Greater create can awaken a computer to sentience, or assemble a machine on its own out of spare parts. It can also emulate a machine
Transform Machine: Transforms one machine into another, causing it to do something it was not designed to do. Lesser effects are subtle and still somewhat related to the machine's design, while greater effects can restructure the entire machine into something else.

In the Campaign

This path is very much designed for a high tech game, and isn't recommended for TL's less than 6. Though it could be used in a TL4 world to create clockwork constructs (effectively TL4+2^ or even higher!) It will shine best in world with lots of computers, vehicles, and machine-type weapons (like guns).

I hope you find this idea useful!

Wednesday, October 26, 2016

Blog or Treat: Remembrance Thief


Perhaps one of my favorite posts on this blog is also my oldest: Demons and Fae. It examines the demon variety chart in Monster Hunters 3 (page 19) and talks about how it can  expanded and used to create Fae. It also talks about how a single monster concept can be used for multiple monster types, and it inspired me to actually write an expanded table and build a generator so you don't have to roll 50 dice to get answers.

This monster was generated using those tools and posts, but this time I'm not picking a monster type: I'm showing how the monster can a demon, an evil fae, or a type of vampire. I hope you find the monster evocative.

The monster is focused on Monster Hunters, as the original posts and the book that inspired the creature are focused there, but it can fit in variety of campaigns, particularly standard horror.

Monday, October 17, 2016

10 Points of Flavor

In my recent games I've started giving out '10 points of flavor'. These are to be spent on things the player doesn't expect the character to use. I view them as a tool for fleshing out a character, and hopefully for reducing the tension between building a realistic character and working with a low point budget.

 What people buy with these points varies. Area knowledge (home) is a common choice. Its only valid if the action doesn't take place their, but it lends a fair amount of flavor. I've seen an awful lot of people buy games. The specialization is usually video games, table top games, or chess. High Academic skills often get thrown in: I had one guy buy History (Occidental magical traditions), and musical skills are common. Animal handling (dogs) is another favorite, used by dog lovers. Cooking and housekeeping show up as day to day skills. I've also seen things like driving in a campaign where the planet is covered in ice (and thus snow mobiles are used). I think the weirdest one I've seen has been Professional Skill (Fire extinguisher maintenance).

Wednesday, October 12, 2016

Lawmen Of Borlo: Reflections on Setting Choices

I just finished my "Lawmen of Borlo" game, and last post I talked about how gameplay went. Today I'm going to look at the setting decisions and work I put into it, and how they turned out.

The things that went best were the way I handled races (which was a trick to get right), and the FTL system (which never got used). The books I actually ended up using were interesting, and there were some places where I did too much work, or too little. I also let the standard adventure be something I didn't plan. In this case, it worked well, but that fact is worth being cautious of in the future.

Thursday, September 29, 2016

Lawmen Of Borlo: Reflections on Gameplay

I just finished a campaign: Lawmen of Borlo. Its an interesting time when you finish a campaign and move on to a new one, and a good time to consider what went well and what didn't. This is also a big learning experience for me, because its only my second roll20 gurps campaign.

The campaign premise was:
The planet of Borlo was a backwater for over 40 years. Then about 3 weeks ago, a citizen found alien ruins-- the first alien ruins to be had in humanities long and lonely search of the stars. Now there is a rush like has not been seen for centuries: men and women are flooding into a formerly barren wasteland in search of wealth.
The PC's were planetary marshals given cases to solve, spread out over the planet. They solved two cases, each with multiple stages of finding suspects. They did pretty well, all things considered: of the 9 criminals they chased, one was left with a warning and remained a police informant, three got comparatively light sentencing (all in exchange for names and  or testimony), one got away, and four got hit hard.

Things the Players Enjoyed

Negotiating with prisoners was a large part of the game, and one the players really seemed to enjoy. A lot of the time you never know if an NPC is going to grab their attention or not, but each time they picked up a batch of crooks, one of them grabbed the attention of the PC's, and they connected with a string of criminals, and actually cared about what happened to them in the end -- even if  'cared' means 'I want to make sure you don't get off with a lite sentence'! A good part of this was how much work they put into figuring out who the NPC was before they ever met them. PC's generally connect with NPC's they remember, and making the goal of the adventure finding someone is a good way to make them memorable.

I insisted that players come up with the questions to ask, rather than just rolling against, say... computer operation and finding out everything they needed to know. This was intentional stylistic choice for a cops game. It really helped to bring the world to life -- players cared about the details, and we had lots of fun extrapolating what WOULD be known in a given science fiction situation.  It also helped to keep players involved -- one player usually had the spotlight, but everyone else was thinking of questions they wanted asked. This isn't for every game, but I highly suggest it for a mystery game.

GMing Lessons

This game saw a bit of player drama. And I finally bit the bullet and realized that my job as a GM is NOT about merely presenting adventures, but about balancing personality issues, ensuring that everyone else speaks up, and generally being the social grease. This is not something that I wanted do. I wish I could just play a character called "The world" and present challenges for the players.

I'm glad I bit that bullet. Its helped with the game a lot, and its helped build that camaraderie between players I've always assumed was natural. If you are trying to GM or looking for a GM, you are there as much to help the players get along as you are to present a world. The good news is that gaming culture gives you the tools to make that easy, and it actually hasn't been that much work. It was just essential for me to realize that its my job, no one else will do it, and when you have a grab bag of players off the internet, it needs to be done.

Why didn't I pick this up before? Well, my prior GM experience is either on PbP, which tends to minimize personal issues in favor of the game (typing is much more expensive than talking), or with my relatives. And with the relatives I played with, I'm pretty much the alpha by dint of age and longstanding relationships. And everyone knows each other really well.

I also started keeping track of time this game. It worked really well, added an aspect of management, and helped in organizing NPC actions. I'll probably continue to do it.

The other big lesson was: Play what you want to play. When I started playing on roll20, I intentionally went with 'popular' (meaning common) options with the intent to switch to something I personally wanted more later. I don't think I got more interest with the generic, and I certainly had a lot more. So I'm going to play what I want to play.

This isn't to say that "bad games" don't exist. Many ideas won't be valid, or will require extra out of your players.  Before you go ahead and play, make sure its a good idea that will be fun for everyone. but that has very little to do with setting, and more to do with making sure the focus is still on the players and they can have fun. So from now on, I'm saying goodby to generic and playing in whatever setting I please! (which is not to say that players don't get a say. I've been vetting multiple ideas and giving them a choice first).

Things I enjoyed

I learned that I get tired of playing in the same setting for too long. Last game I played I was all played out by the end. I still needed to finish the mission, and if you're tired of a game, it can really drag. This time I watched for that effect, and ended the campaign before it got old. This let me do a proper ending, and we had a nice 30 minutes at the end where we talked about what happened to each of the characters after the campaign.

The PC's had lots of decisions, and the combination of "you can do anything" and "you're supposed to be doing this" was fun to watch. They tracked down people out of order, caught me by surprise, and completely missed possibilities. This was entertaining to watch in a way that combat just can't match.

It was also really nice to watch players get immersed in the setting, and understand where they were and what the world was like. I think the key was to make those things matter to the plot.

Last of all, and I'll talk about this in a later post, I ran a game with two minor combats that still remained tense and engaging. I don't enjoy slaughter fests, and I consider doing a non-combat-oriented game in real time with multiple players to be a personal success. Ironically, lives WERE at stake. They just weren't decided by who had fancier gun-play.

Things I Could Have Done Better

We had a player than kept notes. It was in many cases a life-saver: we'd start each session by reading the notes that he took and that would usually be enough to jog my memory. I could have kept my private notes better. A GM has a lot that he's doing, but in this case, I think we would have had a stronger game if I had kept more than the most minimal of notes. This became very apparent when our note-keeper couldn't make a session, and we had to remember what happened earlier.

I also have come to the conclusion that player knowledge of numbers matters. Secret rolls may be ominous, but there is a strength to declaring exactly what a PC needs in order to succeed or fail. In some ways hidden rolls can make GMing easier, but I'm realizing its a crutch. Game-play is about making decisions, and without information, there is no decision.  So I'm going to need to work on that.

In Conclusion

I learned a lot, and I enjoyed the campaign. While I pride myself as a setting builder, I'm a newbie GM. I'll soon be putting up info on setting, and a few more thoughts inspired by the campaign.

I hope you can learn from my mistakes.

Thursday, September 8, 2016

Seige Crab

Siege Crabs are massive beasts bred, cursed, enchanted, or who knows what else by some wizard as weapons of war. They're actually a fairly practical design if one wishes to take a castle. They look like your typical great hulking monster with too much armor and too little speed, but adventurers not expecting them are in for a few surprises. The first, and this really shouldn't be a surprise, is that while they move from place to place slowly they're quite agile in hand to hand combat. The second is that they climb walls like a much smaller creature. The third, and nastiest, is the reverse missiles spell they generate. Most adventurers will think "Big Slow Ugly" and start shooting at the thing, only to have their attacks fly back in their face.

Seige crabs  are territorial and generally try to drive intruders off. They'll happily munch on the remains of foe, but for the most part they'll leave fleeing intruders alone. They do have an instinct to get to high ground and to assault heavily fortified positions, so Adventurers who think they're safe for the night may find a crabby monster trying to drive them out.

ST30         HP30          Speed7
DX14Will14Move3
IQ3Per11
HT14FP12SM2
Dodge      8Parry12DR10
Slice (14): 3d+3 cutting, -1 to defenses. Is considered a grapple against a foe that it hits.
Pound (14): 3d+3 crushing, -1 to defenses.
Traits: Constriction Attack, Reverse missiles Spell, Extra Attack 1, magic resistance 2, 2 strikers (reach 1,C)
Skills: Brawling - 16, Climbing -18,
Class: Dire Animal
Notes: Not Sapient. Seige Crab carpaces can fetch $200 dollars as raw materials, and they have Prothoratic Mana Organs that power the reverse missiles effect. If you can get these out, they're worth $ 1000, but the thaumatology roll is at -2. Its a tricky job! Siege Crab eggs are worth about $100 a piece, but transporting them back requires precautions not to stunt the magic of the creatures (Thaumatology roll), and odds are that half  or more of them are dead already! A successful Naturalist or Thaumatology roll can identify which ones are good and which ones aren't.

But bigger. Much Bigger